Louisiana Music Hall of Fame - Pete Fountain's Induction 2008

Louisiana Music Hall of Fame

Pete Fountain's Induction 2008

Pete Fountain and Mike Shepherd at Hollywood Casino Induction

PETE FOUNTAN (b. July 3, 1930 – ): Born in the cradle of American jazz, Pete Fountain was a skinny boy who spent too much of his time hanging around the front door of the Top Hat Dance Hall, a stronghold of Dixieland Jazz in New Orleans.

In 1955, he was a member of the Dukes of Dixieland but until 1956, be-bop and rock and roll were the hottest sounds going and it was difficult making a living playing jazz, even in New Orleans, the home of jazz, so with a wife and three small children to support, he gave up music if only temporarily.

But the very next year, Lawrence Welk, host of the nation’s top-rated television show, hired Fountain and for the next two years, he was the most famous jazz musician on television, his name became a household word, and New Orleans Jazz made a comeback. After two years in Los Angeles, Fountain likewise made a comeback – to New Orleans to open his own jazz club in the heart of the French Quarter. Since its opening in 1959, it has expanded into the largest jazz club in the city.

He has performed on The Ed Sullivan Show, as well as on Bing Crosby, Bob Hope, and Andy Williams specials and performed fifty-nine times on The Tonight Show with Johnny Carson. He also performed at four U.S. State Dinners, for four U.S. Presidents, for Pope John Paul II at the New Orleans Papal Mass with an audience of over 400,000.

He has recorded over ninety albums, three of which went gold. He also received a gold record for his single Just A Closer Walk With Thee. He was voted the number 1 Jazz Clarinetist for thirteen consecutive years in the Playboy Readers Poll.

He was King of Bacchus, and received an Emmy for the 1990 Super Bowl Pre-Game Music. He received the 1998 Lifetime Achievement Award in Music. Among those with whom he has performed are Louis Armstrong, Harry James, and Harry Connick, Jr.

On March 18, 2007 at Hollywood Casino in Bay St.Louis, MS, Pete Fountain was inducted into the Louisiana Music Hall Of Fame.

Courtesy of the Lousiana Music Hall of Fame.

St. Patrick’s Day Parade in New Orleans

St. Patrick’s Day Parade in New Orleans

One of our blog members gave this great report and pictures. Thanks!

Tonight the Half-Fast Walking Club participated in the annual St. Patrick’s Day parade sponsored by the Downtown Irish Club of New Orleans. The parade began in the Bywater section of New Orleans then meandered through the streets of the French Quarter ending on Bourbon Street to a raucously fired up virtually impenetrable crowd rivaling throngs found during Mardi Gras. Pete has never participated in this parade. This year he surprised us. Pete met us on the 1200 block of Decatur Street in the Quarter, and he had his family. During all the commotion, Pete and his wife Beverly were gracious enough to pose for a picture.

St. Patrick's Day Parade, Pete Fountain, 1234 Decatur St. French Quarter

St. Patrick's Day Parade, Beverly & Pete Fountain, 1234 Decatur St. French Quarter

Pete Fountain on the Lawrence Welk Show - Bootleg

Pete Fountain on the Lawrence Welk Show
5 CD Box Set March 1957 through March 1959

Liner Notes:
5 CD Box Set released 2009
Pete Fountain on the Lawrence Welk Show
Rare and Unreleased Records
March 1957 through March 1959

A rare find. over 170 recordings from Pete's time playing on the Lawrence Welk show. Carefully transferred from the original tapes and remastered, the sound quality is outstanding. Almost every recording Pete did on the Welk show, plus outtakes, airchecks, soundboard checks and dialog are included. As a bonus, some additional tracks from The Ed Sullivan Show, The Steve Allen Show, The Johnny Carson Show, The Bell Telephone Hour and the Kraft Music Hall are included.

Click on the below covers to see the track listing on each disc.

Let's Get Acquainted - Brunswick Records

Let's Get Acquainted - The Lennon Sisters
featuring Pete Fountain

1958 - Brunswick Records BL 54031

Selections Include:

Side One
1. Let's Get Acquainted
2. Little White Lies
3. Young And In Love
With Orchestra Directed By Tiny Little
4. Teenage Waltz
With Orchestra Directed By Tiny Little
S. Pocahontas
6. White Silver Sands
With Pete Fountain And His Dixieland Boys

Side Two
1. When I'm With You
Featured In The Motion Picture "Poor Little Rich Girl"
2. One Day A Little Girl
With Pete Fountain And His Dixieland Boys
3. Walk With Me
4. If I Don't Love You
5. Shake Me I Rattle (Squeeze Me I Cry)
6. Goodnight God

Liner Notes:

The Lennon Sisters - Vocal Quartet With Instrumental Accompaniment

Let's get acquainted with the Lennon Sisters - Dianne, Peggy, Kathy & Janet - those four talented youngsters who sing their way into the hearts of millions of television viewers each week, via Lawrence Welk's network shows.

Representing half of Bill and Isobel Lennon's family of eight children there was always much to do around their Venice, California home. Singing together was the way the girls made their dishwashing chores lighter and their family duties more like fun than work. Humming lullabies and play-party songs together was a family affair in which the sisters took delight.

Perhaps some of their natural talent comes to them through their Dad. Bill Lennon had been a featured vocalist with the Paul Whiteman and Freddie Martin Bands in the early forties and for a time had a quartet with his brothers, Pat, Bob and Ted. As a protege of the famous tenor, Tito Shipa, he appeared in Hollywood Bowl concerts.

The girls first performed for friends and relatives and then went "on stage" at church benefits and civic functions. Fifteen-year-old Dianne's St. Monica's schoolmate, Larry Welk, Jr. "discovered" the sisters and got his famous dad to listen to them. Welk Sr. was so impressed with their charm and musical ability that he immediately signed them for a special ABC-TV Christmas show that was in preparation for the 1955 holidays. As soon as the nation's viewers saw them, Welk's judgement and Larry Jr's foresight were justified.

Billboard, the trade magazine of the music industry, published results of a disc jockey popularity poll shortly there-after and the Lennon Sisters were within the top ten most promising vocal groups. Noting this, Coral & Brunswick Records began making plans for offering more of their fine work on wax. Hence, several single releases, among them hits like "Tonight You Belong To Me" and "White Silver Sands" and now their first long playing album.

Despite tempting lucrative offers for outside engagements, the girls have remained loyal to their primary duties at home and with their schooling, limiting their professional work to recording and appearing as members of the Welk shows.

With no formal musical training, the girls do their arrangements seated at the kitchen table with a pitch-pipe as their only instrument. Mom helps them with the harmony and Dad coaches on phrasing and expression. Mom also designs and makes all their costumes.

Maestro Welk sums up their charm in the following statement: "They look sweet, sing sweet and have a certain intangible spiritual quality. It gets across to the audience."

Listen to these selections ...we're sure you will agree.

Mardi Gras 2009 Report

Our very own blog member is in the picture taken at Commander’s Palace with Pete. His report of Mardi Gras is as follows:

Mardi Gras went well with tremendous weather (low 70s, not a cloud in the sky, and low humidity). This year Pete Fountain's Half-Fast Walking Club walk paraded as Toy Soldiers. Pete hardly played at all, a run or 2 for the local TV cameras. Tim Laughlin carried the yeoman’s portion of the parade.

Additional Mardi Gras from local press:

Clarinetist Pete Fountain will kick off festivities on Fat Tuesday, leading more than 200 members of his Half-Fast Walking Club through the city streets. Fountain said this is the largest group in his club's 49-year history.

"There's a lot of us this year, from all over the country," he said. "It's always a lot of fun."

Though celebrities have joined Fountain in the past, among them jazz singer Frankie Laine and actor John Goodman, Fountain said this year no big names will be marching. But, "each one of my guys is a celebrity," he said with a chuckle.

Pete Fountain: Birth Of The Blues (George Klein's Talent Party 1964)

George Klein's Talent Party 1964

This is the earliest known video footage of George Klein, host of the WHBQ-TV Memphis show "Talent Party". This clip is an excerpt from an interview George did with famous jazz clarinet player Pete Fountain. Plus, you get to hear Pete "lip sync" (clarinet sync?) eight bars of the song, Birth Of The Blues he'd recently recorded.

NOTE: Memphis Memories would like to thank Harvey and Chet for finding this rare classic on a VHS tape at a flea market and making it available so it can be shared with everyone.

Credit: http://visualguidanceltd.blogspot.com

Phil Zito and his New Orleans International City Dixielanders - Dixieland Express - Columbia Records

PHIL ZITO and his New Orleans International City Dixielanders

DIXIELAND EXPRESS (7" 45 rpm Box Set)

1951 Columbia Records Set B-199

7" - 45 rpm - 4 Record Box Set

Record One:
Side A: Bob Cats
Side B: Shine

Record Two
Side A: Bye and Bye
Side B: Original Dixieland One Step

Record Three
Side A: She'll Be Comin' 'Round The Mountain
Side B: Zito's Zag

Record Four
Side A: Clarinet Marmalade
Side B: Tulane Swing

Liner Notes:

PHIL ZITO and his New Orleans International City Dixielanders

Recorded in New Orleans

Personnel:
Phil Zito drums
Emile Christian bass
Roy Zimmerman piano
Pete Fountain clarinet
Joe Rotis trombone
George Girard trumpet

The upswing in Dixieland music that began to gather momentum during the last months of 1949 is happily serving a dual purpose. Not only is it introducing this "happy-making" music to generations almost entirely unfamiliar with it and bringing hack fond acquaintance to older enthusiasts, it is bringing recognition to a number of small groups that served faithfully and unceasingly during the Dixieland drought. Many of these groups, playing in nightclubs and theaters around the country, suddenly found that they were not, after all, playing mostly for their own amusement. They found that somehow the lively two-beat of their music had been taken up by a public weary of modernism and wary of over experimentation.

These records introduce such a group: Phil Zito and his New Orleans International City Dixielanders. Long-time favorites of New Orleans citizens, Zito and his organization have been heard at almost every musical event in that fascinating city. They have played in nightclubs, at jazz concerts and battles, at dances, in theaters, in parks and at all sorts of celebrations. Zito's first group, organized in the late Thirties, built up a considerable reputation with local fans, but was disrupted by the war. When Zito returned from the Navy, he again began building up a small combination, emphasizing Dixieland music, and swiftly became one of the leaders of the jazz movement in New Orleans.

As currently constituted, the New Orleans International City Dixielanders consist of comparative old timers in the rhythm section, with representatives of the younger musical generation in other spots. Zito himself is at the drums, Emile Christian plays bass, Roy Zimmerman piano, Pete Fountain clarinet, Joe Rotis trombone and George Girard trumpet. This is a festive outfit in the good old-fashioned New Orleans tradition. They put in plenty of time playing the usual round of engagements, but it is not uncommon to find them whooping it up at the opening of a new factory or spreading their music through the streets of the city to signal the premiere of a new film. If this is not precisely the clientele of the old jazz bands, it is at least the closest equivalent that these less rowdy days permit, and it carries their music directly into the daily existence of the lucky residents.

Eight samples of that vigorous brand are contained in this collection, some of them standard jazz exercises, some of them originals. In them is the happy compromise between high-flying solo work and closely-knit ensemble playing that distinguishes the New Orleans International City Dixielanders. Although their title may be a trifle cumbersome, there is nothing unwieldy about their music. Recorded in New Orleans, it has the special flavor of that city's contribution to popular music, bright, inventive and splendidly uncomplicated.