1962 Coral Records EC 81190 7" EP
1. Sing You Sinners
2. Yes Indeed
1. Dis Ol' Train
2. Nobody Knows The Trouble I've Seen
Pete Fountain With The Jubilee Singers And Orchestra
Directed By Charles Bud Dant
Pete Fountain: clarinet
Stanley Wrightsman: piano
Godfrey Hirsch: vibes
Morty Corb: bass
Jack Sperling: drums
Dick Cathcart: trumpet
Bobby Gibbons: guitar
Plas Johnson: tenor saxophone
The recordings here, which come from the Coral LP Swing Low Sweet Clarinet is a completely new experience in New Orleans Jazz. Through the magic that is Pete Fountain devout disciples of the traditional idiom born in the heart of Crescent City, will discover an excitingly new component with jazz. Production wise this album is different - a new departure among the usual tune anthologies under a single cover. Yet, amazingly enough, here is tradition somehow overlooked until now in the combined use of little band jazz with Jubilee Singers.
No. 1: SING YOU SINNERS (Instrumental- Pete with Quintet)
Sperling establishes the opening pace as an introduction into a medium tempo with Pete's clarinet leading the group. Godfrey Hirsch embellishes the background with vibe figures. On the chorus Pete and Godfrey divide solos backed by strong rhythm. The device of a string bass and guitar stop-chorus by Morty Corb and Bobby Gibbons provides an exceptional taste contrast. Closing out, the technical artistry of Jack points up a fast following ensemble finish.
No. 2: YES INDEED (Jubilee Singers with Rhythm Section)
The fourteen voice choir - eight men and six girls, work with the small band on this Ray Charles number. Pete has a short cadenza that gets it jumping in a spirited mood. The choir answers Pete with the title words while the rhythm section drives on in the background. String bass and guitar take over a chorus dividing the honors; then the first driving chorus repeats. The Fountain clarinet is the emphatic force. There is a uniquely stated ending - very exceptional. A single of this title would be a smash hit!
No. 1: DIS OL' TRAIN (Fountain) (Singers with Rhythm Section)
The Pete Fountain rhythm section and the Jubilee Singers open this side with some well adapted vocal effects that quicklyget the train rolling out fast. Pete and Jack Sperling open the throttle with some well paced clarineting and drum work that make for a decidedly happy trip. The clarinet justifiably pre-dominates throughout. Use of dynamics, particularly with an exciting by-play drum break and application of chords ranging to a very soft closing, also diminishes the tempo speed to a slow, sustained ending.
No. 2: NOBODY KNOWS (Singers with Rhythm Section)
The intro is highlighted by Pete augmenting the Jubilee voices which sustain until the easy-riding tempo is set. Fountain's low register use with the singers provides a remarkably well balanced effect. Particularly outstanding in the happy mood of the chorus is soprano Gwen Johnson, who with the other Jubilees finds exceptional background blending by the rhythm section. The strong beat leads to interplay between Pete's clarinet and vocalist. The ending, as in the beginning. ritards.
There can be no doubt over the ultimate destiny of this album. The combined use of Jubilee Singers with Pete Fountain and his groups becomes a satisfying musical experience. It is fitting that this first album usage of the vocalists and musicians be in the traditional vein. Certainly, there has been no recorded similarity in this specific age with such outstanding success. This cannot be considered in the light of an experiment, for singing of this happy, exuberant type of music is as old as early jazz expression in New Orleans.